How to Install . NET Framework 3. Windows 1. 0? If you are facing issues installing . Latest breaking news, including politics, crime and celebrity. Find stories, updates and expert opinion. RazorSQL Updates / Change Log. The latest version of RazorSQL is 7.3.6 7.3.6 Change Log (Released 09/12/2017) 7.3.5 Change Log (Released 09/05/2017). NET Framework 3. 5 (many applications actually need this to run) in your Windows 1. I will show you how to install the same. In this blog post, we will learn the command by which you can install . NET Framework 3. 5 in Windows 1. This also works in other versions of Windows. If you are facing issues with installation of . NET Framework 3. 5, you might have noticed that, it is asking you to install . NET Framework 3. 5 to install . NET Framework 3. 5. Quite strange!!! Isn’t it? Just like a deadlock. Install “A” to install “A”. Yes my friend, you are right and here comes the solution. To install the Framework properly, you will need the original Windows installation media. If you don’t have the same handy, download Windows 1. ISO image (for offline installation) using the Windows 1. Media Creation Tool from Microsoft. Once you download the ISO image, double click it to mount it in your system. This will create a virtual DVD drive in your system and mount the ISO there, which will look like a fresh DVD in your system having Windows 1. Also, you can extract the content of the ISO using tools like Win. RAR to proceed with next. To begin with, open the Command Prompt with administrative privileges. To do so in Windows 1. Win + X”) to popup the system menu. There you will find a menu item titled “Command Prompt (Admin)”. Click on this to launch the command prompt in admin mode. Here is a screenshot of the same for your reference: Once the Command Prompt opens in the screen, place the following command and hit enter. Please make sure to change the source path, as mentioned later. DISM /Online /Enable- Feature /Feature. Name: Net. Fx. 3 /All /Limit. Access /Source: x: \sources\sxse. If you have Windows setup at “D: ” drive, replace “x: ” with “d: ”If you have Windows setup at “D: \Installers” folder path, replace “x: ” with “d: \installers”And also, make sure that “sources\sxs” folder exists in your Windows 1. When run from the command prompt, it will start installing the . NET framework. Please keep patience as it might take some time to install the . NET Framework. Once done, restart your system for the changes to take effect. Details on command line parameters, for your reference and knowledge: /Online targets the operating system you're running (instead of an offline Windows image)./Enable- Feature /Feature. Name: Net. Fx. 3 specifies that you want to enable the . NET Framework 3. 5./All enables all parent features of the . NET Framework 3. 5./Limit. Access prevents DISM from contacting Windows Update./Source specifies the location of the files needed to restore the feature (in this example, the x: \sources\sxs directory). Details about my struggle with installation of . NET Framework 3. 5 and various alternative options that I tried, is already mentioned in this blog post. If you have some spare time, don’t forget to ready that experience. Hope this will help you to resolve the issue in a very quick manner. Though the post describes installation in Windows 1. Windows 7, Windows 8 and Windows 8. Did you read my posts on Windows 1. I have a plenty of articles on Windows 1. Tips & Tricks, which can be found at the below location: http: //win. Don’t forget to subscribe to my blog’s RSS feed and email newsletter to get notifications on new blog posts. I am active there in Twitter, Facebook, Google+ and Linked. In. Do connect with me to get the updates that I share over those social networking sites. Have a great day. Enjoy !!! If you have come this far, it means that you liked what you are reading. Why not reach little more and connect with me directly on Twitter, Facebook, Google+ and Linked. In. I would love to hear your thoughts and opinions on my articles directly. Also, don't forget to share your views and/or feedback in the comment section below.
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Flip Mastery Complete Website Flipping Course Exercise PhysiologistAnnual Meeting of the American Association of Colleges of Pharmacy National Harbor, Maryland, July 1. ADMINISTRATIVE SERVICESCompleted Research. A Determination of Admissions Policies Regarding Repeat Coursework in US Pharmacy Schools. Stephanie Demers, South Dakota State University, Travis A. Van Ede, Daniel J. Hansen, South Dakota State University, Jane R. Mort, South Dakota State University. Objectives: Analyze admission policies on grade point average (GPA) calculation related to repeat pre- pharmacy coursework in schools of pharmacy. Method: A list of active pharmacy schools (n=1. NABP website. Relevant demographics and admissions information was obtained from US pharmacy schools using the schools’ websites and telephone interviews. Eight schools were excluded from the study because they were direct- entry program (0- 6) or unable to be reached. Schools were examined based on how repeat courses were calculated in the overall GPA and analyzed based on demographic characteristics. Results: Overall, 5. US pharmacy schools (n=6. Pharm. CAS GPA, which includes all initial and repeat grades in the overall GPA. Of these schools, 1. Conversely, 4. 7. US schools (n=5. 5) do not use Pharm. Flip Mastery Complete Website Flipping Course Exercise PhysiologyCAS GPA and employ a variety of calculations. These calculations include 2. GPA calculations, 1 school that uses the first grade only, and 1 school that does not allow repeats. Schools in NABP districts 1- 3 were more likely to utilize the Pharm. CAS GPA (≥5. 0%) than schools in districts 4- 8. Implications: No overall trend was observed. Ethan Nichtern was 9 when The Princess Bride hit the big screen 30 years ago. He saw the film back then because of a family connection—Nichtern’s father was best. · 116th Annual Meeting of the American Association of Colleges of Pharmacy National Harbor, Maryland, July 11-15, 2015. A new study published on July 20 in Current Biology suggests that elephant seals are able to recognize the tone and rhythmic patterns of their rivals’ calls. You can learn anything. Expert-created content and resources for every subject and level. Always free. However, schools that do not exclusively use the Pharm. CAS GPA may have a more complete picture of each applicant due to the variety of reasons a student may repeat a course. Accessibility, Timeliness, and Accuracy of ACPE Required Program Disclosure Information on Doctor of Pharmacy Websites. Mark A. Gales, Southwestern Oklahoma State University, Donald K. Woodward, Rutgers, The State University of New Jersey. Objectives: To identify the location, ease of access, timeliness and accuracy of ACPE required program disclosure information for potential applicants. Method: Pharm. D. NAPLEX rates published on the NABP website were evaluated. Data was captured August 1. Accessibility was determined by website location and number of mouse clicks needed to identify and subsequently view the information. Timeliness was defined as the most recent year reported for on- time graduation rate, NAPLEX results, and reported measure(s) of student achievement. Accuracy was determined by comparing posted NAPLEX pass rates with NABP website data. Results: Websites of 1. The most frequently used sub- headings for the information were About (3. Program/Pharm. D. Mean required mouse clicks were 1. All the information was on a single webpage for 1. On- time graduation rates were reported for 2. NAPLEX pass rates were reported for 2. Measures of student achievement were reported for 2. NAPLEX pass rate accuracy was within 1% for 1. All ACPE required information was not readily identifiable for 6 programs. Implications: Inclusion of a last updated notation and more standardization in information reporting would increase utility to potential students. Building Community: The Case for a Transparent and Inclusive Website Redesign Process. Shannon R. Tucker, University of Maryland, Rebecca J. Ceraul, University of Maryland, Lisa Lebovitz, University of Maryland, Richard N. Dalby, University of Maryland. Objectives: The objective of this project was to redesign the School of Pharmacy website using an inclusive process where all members of the school community could contribute. Method: As the Internet has replaced paper- based marketing and catalog dissemination efforts, maintaining an engaging web presence that accurately represents the mission, vision and values of the school to its community at large is a challenging prospect as websites age. When faced with an aging website design and usability issues, the UMSOP embarked upon a website redesign process where community involvement and transparency were key. The multi- faceted process included (1) the development of an interdisciplinary team of faculty and staff, (2) the development of a user- research plan to inform design and development decisions in partnership with a consultant firm, (3) strategically timed community feedback sessions and (4) communication and governance plan. Results: While community involvement shaped the design and content appearing on the UMSOP website, the main outcome of this project was in the area of web governance. Committee and community recommendations established the need for a full- time web content editor to maintain, curate and write web- based content increasing the visibility of projects and initiatives within the school. Implications: Engaging the entire school community in the development of a web presence can improve alignment between a school’s physical and virtual operations. Computer- Assisted Student Admissions Based on Predicted Academic Performance. Eugene Muratov, University of North Carolina at Chapel Hill, Margaret Lewis, University of North Carolina at Chapel Hill, Denis Fourches, North Carolina State University, Alexander Tropsha, University of North Carolina at Chapel Hill, Wendy C. Cox, University of North Carolina at Chapel Hill. Objectives: To enhance the admissions process by developing a series of predictive computational models for accurately forecasting the academic performance of students in the didactic- rich portion of a doctor of pharmacy (Pharm. D) curriculum. Method: All Pharm. D candidates (1,9. Pharm. D program with a Pharm. D GPA > 3; and 2) the remaining candidates. The Random Forest machine learning technique was used in combination with eleven pre- admission parameters (the undergraduate and graduate grade point average, undergraduate GPA, Pharmacy College Admission Test composite score and subscores, presence of a four- year degree, college major, and selectivity index of undergraduate university attended) to predict the above student group assignment based on pre- admission data. Results: When all candidates were combined in a single dataset, the model did not pass the external validation. However, this issue was rectified by dividing candidates based on their residency status. Developed models predicted candidates who graduated with high (Pharm. D GPA> 3. 8) or low (Pharm. D GPA< 3) academic performance with the overall accuracy of 7. These multivariate models were superior in the accuracy of predicting marginal groups to those obtained using only undergraduate GPA and composite PCAT scores. Implications: Models developed in this study can be used to improve the admissions process by acting as preliminary filters to quickly identify candidates likely to be successful in the didactic- rich portion of the Pharm. D curriculum. As a result, more time can be spent evaluating candidates’ non- cognitive attributes and their overall fit for the program. Evaluation of Student Expectations in a Distance Education Pharm. D Degree Pathway. Sarah A. Treadway, Lake Erie College of Osteopathic Medicine - Bradenton, Katherine M. Tromp, Lake Erie College of Osteopathic Medicine, Nina Pavuluri, Lake Erie College of Osteopathic Medicine, Mitchelle Rodriguez, Lake Erie College of Osteopathic Medicine - Bradenton, Hershey S. Bell, Lake Erie College of Osteopathic Medicine. Objectives: Lake Erie College of Osteopathic Medicine (LECOM) School of Pharmacy (SOP) enrolled its inaugural class of twenty four students for the distance education (DE) pathway in August 2. The DE pathway is a four- year program similar to the traditional program at LECOM, except that the majority of the didactic curriculum is delivered online via asynchronous lectures. Supplemental live instruction includes synchronous sessions throughout the school year and live activities on the Bradenton, Florida campus during the summer. As the pathway is new, and only the second to be offered in the US, student expectations were evaluated. Method: Following matriculation into the pathway, all students completed a 1. Baseline characteristics and student perceptions of ability to succeed also were evaluated. Results: Fifty nine percent of the class (n=1. All students agreed/strongly agreed that they expected the DE pathway to be as rigorous as the traditional pathway, and all strongly agreed that they expected the program to provide opportunities for active learning. Bib. Me: Free Bibliography & Citation Maker. Select style& search. Select style & search. Search for a book, article, website, film, or enter the information yourself. Add it easily and continue. Add it easily and continue. Add it to your bibliography and continue citing to build your works cited list. Download bibliography. Download bibliography. Download your bibliography in either the APA, MLA, Chicago or Turabian formats. Tuesday 2. 0th June Catalogues available for Download. Download our catalogue now! Click either of the links below to view and download your catalogue TODAY! You can use this either for you to use on your phones & tablets or to print out yourselves. Catalogue’s can still be purchased on auction day for £1 per auction. DOWNLOAD AUCTION 1 CATALOGUE: TECH, TOYS, CLOTHING, COLLECTABLES, HOMEWARE, COMPUTING AND MOREDOWNLOAD AUCTION 2 CATALOGUE: UNCLAIMED AND LOST BAGGAGE, GOODS FROM SELF STORAGE AND HOUSE CLEARANCEAuction 1: 1/2. 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Un libro (del latínliber, libri) es una obra impresa, manuscrita o pintada en una serie de hojas de papel, pergamino, vitela u otro material, unidas por un lado (es decir, encuadernadas) y protegidas con tapas, también llamadas cubiertas. Un libro puede tratar sobre cualquier tema. Según la definición de la Unesco,[1] un libro debe poseer 2. También se llama "libro" a una obra de gran extensión publicada en varias unidades independientes, llamados "tomos" o "volúmenes". Otras veces se llama también "libro" a cada una de las partes de una obra, aunque físicamente se publiquen todas en un mismo volumen (ejemplo: Libros de la Biblia). Hoy en día, no obstante, esta definición no queda circunscrita al mundo impreso o de los soportes físicos, dada la aparición y auge de los nuevos formatos documentales y especialmente de la World Wide Web. El libro digital o libro electrónico, conocido como e- book, está viendo incrementado su uso en el mundo del libro y en la práctica profesional bibliotecaria y documental. Además, el libro también puede encontrarse en formato audio, en cuyo caso se denomina audiolibro. Desde los orígenes, la humanidad ha tenido que hacer frente a una cuestión fundamental: la forma de preservar y transmitir su cultura, es decir, sus creencias y conocimientos, tanto en el espacio como en el tiempo. El planteamiento de esta cuestión supone: por un lado, determinar la forma de garantizar la integridad intelectual del contenido de la obra y la conservación del soporte en el que fue plasmada, y por otro, encontrar el medio por el cual se mantendrá inalterada la intención o finalidad para la cual se concibió. Los orígenes de la historia del libro se remontan a las primeras manifestaciones pictóricas de nuestros antepasados, la pintura rupestre del hombre del paleolítico. Con un simbolismo, posiblemente cargado de significados mágicos, estas pinturas muestran animales, cacerías y otras escenas cotidianas del entorno natural del hombre antiguo, que trataba de dominar las fuerzas adversas de la naturaleza capturando su esencia mediante su representación. Son el más antiguo precedente de los primeros documentos impresos de que se tiene memoria. Comunicación oral y formas rudimentarias[editar]Las señales gestuales fueron la primera forma de expresar y transmitir mensajes. La palabra hablada es la manera más antigua de contar historias. Mediante fórmulas de valor mnemotécnico[2] se estructuraban narraciones, que pasaban de generación en generación como valiosa herencia cultural de los más diversos grupos humanos. Dichas reglas mnemotécnicas ayudaban tanto a la memorización como a la difusión de los relatos. Es el caso de los poemas homéricos, que han merecido valiosos estudios sobre el particular. Posiblemente, gran parte de las tradiciones y leyendas han tenido semejante inicio. Esta transmisión oral tenía el inconveniente de los «ruidos» que deformaban el mensaje. La mayoría de las veces era el narrador (rapsoda, aeda, juglar) quien en función de sus intereses la deformaba de una u otra forma. La escritura[editar]Cuando los sistemas de escritura fueron inventados en las antiguas civilizaciones, el hombre utilizó diversos soportes de escritura: tablillas de arcilla, ostracon, placas de hueso o marfil, tablas de madera, papiros, tablillas enceradas, planchas de plomo, pieles curtidas, etc. La escritura fue el resultado de un proceso lento de evolución con diversos pasos: imágenes que reproducían objetos cotidianos (pictografía); representación mediante símbolos (ideografía); y la reproducción de sílabas y letras. Los más antiguos vestigios de escritura se encuentran, hacia finales del IV milenio a. C., en el Antiguo Egipto, con jeroglíficos, y la antigua Mesopotamia, mediante signos cuneiformes (escritura cuneiforme; utilizaban una varilla con sección triangular, que al hendir en placas de arcilla, dejaba una marca en forma de cuña). La usaron los sumerios, acadios, asirios, hititas, persas, babilonios etc. La escritura egipcia, que perduró más de tres milenios, mediante jeroglíficos, representaba ideas abstractas, objetos, palabras, sílabas, letras y números. Evolucionó en las escrituras hierática y demótica. Otros pueblos, como los hititas y los aztecas también tuvieron tipos propios de escritura. La escritura china más antigua que se conoce son 5. C. en el yacimiento de Xiaotun, en la provincia de Henan. Pero los primeros libros reconocibles de China corresponden al siglo VI a. C., los jiance o jiandu, rollos de finas tiras de bambú o madera grabados con tinta indeleble y atados con cordel. Estos textos servían principalmente a causas institucionales , era la obra de funcionarios civiles o militares.[3]Desde Confucio en adelante (5. C.) los libros se convirtieron en importantes instrumentos de aprendizaje, se escribieron tratados de filosofía, medicina, astronomía y cartografía. En el período de los reinos combatientes (4. C.) La seda se usó mucho como soporte para escribir. La tela era ligera, resistente al clima húmedo, absorbía bien la tinta y proporcionaba al texto un fondo blanco, sin embargo era mucho más cara que el bambú, es por esto que en ocasiones se hacía una copia en bambú antes de grabarse en seda los textos importantes. La invención del papel según la tradición china, se atribuye a un eunuco de la corte imperial llamado Cai Lin en el 1. C. Usando nuevos ingredientes (trapos viejos, cáñamo, corteza de árbol y redes de pescar) creó un método de fabricación de papel muy similar al que se usa hoy en día. Pero el papel tardó cientos de años en reemplazar al bambú y la seda, fue hasta finales del siglo II d. C. que la corte imperial lo usó en cantidades importantes. Esta innovación no se propagó fuera de China hasta el 6. C. aproximadamente, y alcanzó Europa a través de España hasta el siglo XII. A mediados del siglo VIII los chinos inventaron la impresión xilográfica, o el grabado en madera, y la necesidad de reproducir un gran número de textos e imágenes budistas, calendarios, manuales de adivinación y diccionarios promovió una rápida y temprana propagación de la xilografía. El primer libro impreso chino que se ha encontrado es el Sutra del diamante del 8. C. Los impresores chinos crearon los tipos móviles hacia el siglo XI, el escritor chino Ch'en Kua (1. Mengshi Pitan), según el escritor el herrero Jen. Tsung de la dinastía de los Song del norte entre 1. También se le atribuye la creación de una mesa giratoria para guardar los caracteres, esta técnica se llamaba tipografía tablearia. Hacia el 1. 30. 0 Wang- Tcheng, un técnico agrónomo, emplazó la arcilla por madera de azufaifo, que era mucho más dura. Pero este avance no revolucionó la imprenta hasta el punto que lo hizo Gutenberg en Europa 4. A diferencia de las lenguas europeas, el chino escrito requiere miles de caracteres únicos, lo que hace mucho más eficaz los bloques de madera individuales que los enormes conjuntos de tipos reutilizables. En contraste con el declive de las artes de los escribas en occidente en los siglos que siguieron a la creación de la imprenta de tipos móviles, la caligrafía china conservó su prestigio, era un arte. No obstante, a finales del siglo XV, China había producido más libros que el resto del mundo junto. Los árabes aprendieron la técnica para fabricar papel de sus contactos con China en el siglo VIII, y este se introdujo en Europa en el siglo XII a través de la España musulmana.[3]La obra xilográfica más antigua encontrada hasta nuestros días es el Dharani Sutra de Corea, datado en el 7. C., aunque no se sabe quién fue el inventor de la xilografía los chinos y coreanos fueron los que impulsaron la impresión xilográfica, principalmente para editar textos religiosos. El budismo chino y coreano fue el vehículo que trasmitió la xilografía a Japón. Pero Corea realizó muchos otros avances que revolucionaron la manera de imprimir y en consecuencia el libro. Entre 1. 23. 4 y 1. Gwanghwa, debido a la invasión mongol, no disponían de madera dura fue entonces que imprimieron 2. Go geum sang jeong ye mun con caracteres móviles metálicos. La obra del año 1. Más tarde el rey Taejong puso en funcionamiento un taller que contribuía a la difusión de la escritura y en 1. Jujaso, donde se fabricaban caracteres móviles de imprenta, realizó la primera fundición de tipos móviles en bronce. Welcome to Cheatinfo, your number one source for Gamecheats, Action Games, PC Cheats and Codes along with high resolution game. Cheatinfo is updated everyday.Creative, marketing and document management solutions. Adobe MAKE IT 2. 01. Where creativity came together. Asia- Pacific’s premier creativity event of the year returned to Sydney on August 2- 3, 2. Watch the talks from the main stage speakers as well as the pre- conference Sessions on demand, for free. Old and New Version of Adobe Reader Download. Adobe Acrobat was the first software to support Adobe Systems' Portable Document Format (PDF). It is a family of software, some commercial and some free of charge. Adobe Reader (formerly called Acrobat Reader) is available as a no- charge download from Adobe's web site, and allows the viewing and printing of PDF files. 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Updates : Adobe Reader Updates. · Using Adobe Reader X 10.0.0 feel confident to open and view any PDF file, regardless of which operating system you are running. Browse journals by subject. Accept. This website uses cookies to ensure you get the best experience on our website. Libro - Wikipedia, la enciclopedia libre. Un libro (del latínliber, libri) es una obra impresa, manuscrita o pintada en una serie de hojas de papel, pergamino, vitela u otro material, unidas por un lado (es decir, encuadernadas) y protegidas con tapas, también llamadas cubiertas. Un libro puede tratar sobre cualquier tema. Según la definición de la Unesco,[1] un libro debe poseer 2. También se llama "libro" a una obra de gran extensión publicada en varias unidades independientes, llamados "tomos" o "volúmenes". Otras veces se llama también "libro" a cada una de las partes de una obra, aunque físicamente se publiquen todas en un mismo volumen (ejemplo: Libros de la Biblia). Hoy en día, no obstante, esta definición no queda circunscrita al mundo impreso o de los soportes físicos, dada la aparición y auge de los nuevos formatos documentales y especialmente de la World Wide Web. El libro digital o libro electrónico, conocido como e- book, está viendo incrementado su uso en el mundo del libro y en la práctica profesional bibliotecaria y documental. Además, el libro también puede encontrarse en formato audio, en cuyo caso se denomina audiolibro. Desde los orígenes, la humanidad ha tenido que hacer frente a una cuestión fundamental: la forma de preservar y transmitir su cultura, es decir, sus creencias y conocimientos, tanto en el espacio como en el tiempo. El planteamiento de esta cuestión supone: por un lado, determinar la forma de garantizar la integridad intelectual del contenido de la obra y la conservación del soporte en el que fue plasmada, y por otro, encontrar el medio por el cual se mantendrá inalterada la intención o finalidad para la cual se concibió. Los orígenes de la historia del libro se remontan a las primeras manifestaciones pictóricas de nuestros antepasados, la pintura rupestre del hombre del paleolítico. Con un simbolismo, posiblemente cargado de significados mágicos, estas pinturas muestran animales, cacerías y otras escenas cotidianas del entorno natural del hombre antiguo, que trataba de dominar las fuerzas adversas de la naturaleza capturando su esencia mediante su representación. Son el más antiguo precedente de los primeros documentos impresos de que se tiene memoria. Comunicación oral y formas rudimentarias[editar]Las señales gestuales fueron la primera forma de expresar y transmitir mensajes. La palabra hablada es la manera más antigua de contar historias. Mediante fórmulas de valor mnemotécnico[2] se estructuraban narraciones, que pasaban de generación en generación como valiosa herencia cultural de los más diversos grupos humanos. Dichas reglas mnemotécnicas ayudaban tanto a la memorización como a la difusión de los relatos. Es el caso de los poemas homéricos, que han merecido valiosos estudios sobre el particular. Artisteer - web design generator for Joomla templates, Wordpress themes, Drupal themes, Blogger templates and DNN skins. We would like to show you a description here but the site won’t allow us. Posiblemente, gran parte de las tradiciones y leyendas han tenido semejante inicio. Esta transmisión oral tenía el inconveniente de los «ruidos» que deformaban el mensaje. La mayoría de las veces era el narrador (rapsoda, aeda, juglar) quien en función de sus intereses la deformaba de una u otra forma. La escritura[editar]Cuando los sistemas de escritura fueron inventados en las antiguas civilizaciones, el hombre utilizó diversos soportes de escritura: tablillas de arcilla, ostracon, placas de hueso o marfil, tablas de madera, papiros, tablillas enceradas, planchas de plomo, pieles curtidas, etc. La escritura fue el resultado de un proceso lento de evolución con diversos pasos: imágenes que reproducían objetos cotidianos (pictografía); representación mediante símbolos (ideografía); y la reproducción de sílabas y letras. Los más antiguos vestigios de escritura se encuentran, hacia finales del IV milenio a. Is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her.C., en el Antiguo Egipto, con jeroglíficos, y la antigua Mesopotamia, mediante signos cuneiformes (escritura cuneiforme; utilizaban una varilla con sección triangular, que al hendir en placas de arcilla, dejaba una marca en forma de cuña). La usaron los sumerios, acadios, asirios, hititas, persas, babilonios etc. La escritura egipcia, que perduró más de tres milenios, mediante jeroglíficos, representaba ideas abstractas, objetos, palabras, sílabas, letras y números. Evolucionó en las escrituras hierática y demótica. Otros pueblos, como los hititas y los aztecas también tuvieron tipos propios de escritura. La escritura china más antigua que se conoce son 5. C. en el yacimiento de Xiaotun, en la provincia de Henan. Pero los primeros libros reconocibles de China corresponden al siglo VI a. C., los jiance o jiandu, rollos de finas tiras de bambú o madera grabados con tinta indeleble y atados con cordel. Estos textos servían principalmente a causas institucionales , era la obra de funcionarios civiles o militares.[3]Desde Confucio en adelante (5. C.) los libros se convirtieron en importantes instrumentos de aprendizaje, se escribieron tratados de filosofía, medicina, astronomía y cartografía. En el período de los reinos combatientes (4. C.) La seda se usó mucho como soporte para escribir. La tela era ligera, resistente al clima húmedo, absorbía bien la tinta y proporcionaba al texto un fondo blanco, sin embargo era mucho más cara que el bambú, es por esto que en ocasiones se hacía una copia en bambú antes de grabarse en seda los textos importantes. La invención del papel según la tradición china, se atribuye a un eunuco de la corte imperial llamado Cai Lin en el 1. C. Usando nuevos ingredientes (trapos viejos, cáñamo, corteza de árbol y redes de pescar) creó un método de fabricación de papel muy similar al que se usa hoy en día. Pero el papel tardó cientos de años en reemplazar al bambú y la seda, fue hasta finales del siglo II d. C. que la corte imperial lo usó en cantidades importantes. Esta innovación no se propagó fuera de China hasta el 6. C. aproximadamente, y alcanzó Europa a través de España hasta el siglo XII. A mediados del siglo VIII los chinos inventaron la impresión xilográfica, o el grabado en madera, y la necesidad de reproducir un gran número de textos e imágenes budistas, calendarios, manuales de adivinación y diccionarios promovió una rápida y temprana propagación de la xilografía. El primer libro impreso chino que se ha encontrado es el Sutra del diamante del 8. C. Los impresores chinos crearon los tipos móviles hacia el siglo XI, el escritor chino Ch'en Kua (1. Mengshi Pitan), según el escritor el herrero Jen. Tsung de la dinastía de los Song del norte entre 1. También se le atribuye la creación de una mesa giratoria para guardar los caracteres, esta técnica se llamaba tipografía tablearia. Hacia el 1. 30. 0 Wang- Tcheng, un técnico agrónomo, emplazó la arcilla por madera de azufaifo, que era mucho más dura. Pero este avance no revolucionó la imprenta hasta el punto que lo hizo Gutenberg en Europa 4. A diferencia de las lenguas europeas, el chino escrito requiere miles de caracteres únicos, lo que hace mucho más eficaz los bloques de madera individuales que los enormes conjuntos de tipos reutilizables. En contraste con el declive de las artes de los escribas en occidente en los siglos que siguieron a la creación de la imprenta de tipos móviles, la caligrafía china conservó su prestigio, era un arte. No obstante, a finales del siglo XV, China había producido más libros que el resto del mundo junto. Los árabes aprendieron la técnica para fabricar papel de sus contactos con China en el siglo VIII, y este se introdujo en Europa en el siglo XII a través de la España musulmana.[3]La obra xilográfica más antigua encontrada hasta nuestros días es el Dharani Sutra de Corea, datado en el 7. C., aunque no se sabe quién fue el inventor de la xilografía los chinos y coreanos fueron los que impulsaron la impresión xilográfica, principalmente para editar textos religiosos. El budismo chino y coreano fue el vehículo que trasmitió la xilografía a Japón. Pero Corea realizó muchos otros avances que revolucionaron la manera de imprimir y en consecuencia el libro. Entre 1. 23. 4 y 1. Gwanghwa, debido a la invasión mongol, no disponían de madera dura fue entonces que imprimieron 2. Go geum sang jeong ye mun con caracteres móviles metálicos. La obra del año 1. Más tarde el rey Taejong puso en funcionamiento un taller que contribuía a la difusión de la escritura y en 1. 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Iran Has Pivoted to Video. The classic US stereotype of attempted Iranian ideological indoctrination via chants of “Death to America” and such has been old hat for quite some time. As noted by the New York Times on Saturday, in the past few years Iranian pro- government propaganda efforts have increasingly taken the form of rap videos glorifying the country’s military, spread on sites like local You. Tube equivalent Apparat and apps like Telegram. The Times rounded up some of the most high- profile attempts to appeal to the nation’s youth by pairing Iranian rappers with sweeping shots of military personnel and CGI- infused battle scenes, some of which are pretty over- the- top. They’re fascinating to watch, especially at a time when the current presidential administration has gone full hawk on Iran. They’re also more than a little uncomfortable, both because they show an oppressive government’s approach to a digitized era of propaganda and, if we’re being honest, they do kind of resemble pro- military media produced in places like the US. One video highlighted by the paper features Amir Tataloo, a musician with a “hard- partying, gangster- style reputation,” who extolled “our absolute right / to have an armed Persian gulf” while singing alongside naval personnel on the frigate Damavand. The Simpsons fans may notice a strong “Yvan Eht Nioj” vibe.)Another video from last year, titled “We Will Resist,” cost $2. US fighter jets bombing a mosque by a sunny beach, flanked by newly constructed oil refineries. A battalion of Iranian youth carrying flags retaliate by charging towards the water, conjuring up a gigantic tidal wave which sinks the US Navy’s Fifth Fleet. Another released in 2. Seraj Cyberspace Organization, which is affiliated with the Iranian Revolutionary Guards’ Basij volunteer militia, shows Iranian- backed fighters in Syria taking the fight to ISIS insurgents flying the terror group’s infamous black flag. The video features Hamid Zamani, who the Times noted was the mastermind behind the anti- imperialist song “USA.”“By Zaynab, we are the defenders of Damascus!” the singer croons as a sniper takes out an ISIS fighter in slow- motion. Husayn’s sister calls us to the Golden Shrine / How can the flames of death possibly set it ablaze?”Another Iranian propaganda effort highlighted by the Times was the 9. CGI action film Battle of the Persian Gulf II, which stars an animated version of Quds Force commander Gen. Qassem Suleimani annihilating US troops and naval forces.“The Americans threaten us, we want to say, ‘If you attack us, if you dare to do so, a rain of hot melted lead will be poured on you,” co- creator Farhad Azimi told the paper.The American aircraft carriers, vessels and warships will be sunk and converted into beautiful aquariums in the bed of the Persian Gulf.”So yeah, all this is unsettling.But again, lest Americans get too high on their horses about this, the US military- industrial complex, its marketing partners and Hollywood filmmakers have basically been doing higher- budget versions of the same thing for decades.One of the more obvious examples is the NFL, where flashy flyovers with high- tech military jets, troops marching with flags and even camouflage jersey sales have been a fixture for years, and the military has pumped tens of millions of dollars into patriotic displays at sports games.Others include the close relationship between the military and the video game industry, or its tight collaboration with the movie industry.Indications are strong President Donald Trump’s administration is seeking ways to back out of the US- Iran nuclear deal, per CNBC, which would set the stage for tensions to escalate rapidly—though with stakes a good bit realer than CGI tsunamis and bullet time. [New York Times]. |
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October 2017
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